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September 30, 2014

A New York Times Best Seller! Robert B. Parker's BLIND SPOT: A Jesse Stone Novel, by Reed Farrel Coleman

Reed Farrel Coleman takes over the reins writing the Jesse Stone books for the Robert B. Parker estate. Robert B. Parker's Blind Spot (A Jesse Stone Novel) ">BLIND SPOT, the first Jesse Stone book written by Coleman, has a bestselling debut in both hardcover and ebook formats on The New York Times Best Sellers List Congratulations to Reed and to the Parker, InkWell and Putnam teams. Bravo!

January 19, 2014

Legendary Bookeller Jim Huang has something to say about Print-on-Demand

On a discussion list, a writer who publishes digitally on the Kindle platform suggests that the bookstore of the future will consist of an on-site print on demand machine that produces books to order.  The “day of publishers printing up a quantity of books will be gone,” he suggests.

via mysterycompany.typepad.com

http://mysterycompany.typepad.com/jimhuang/

November 9, 2012

Brooklyn Bridge Panoramic



Originally uploaded by dhslit
I took this on a run across the bridge and back on October 17, 2012. Crossing the bridge on foot is one of the best NYC experiences.

June 11, 2012


Nick Wechsler Acquires Michael Korytas Forthcoming Novel ‘The Prophet’ for Feature Film Adaptation



Producer Nick Wechsler has acquired The Prophet, the upcoming Michael Koryta novel that will be published in August by Little, Brown & Company. Wechsler has already attached screenwriter Reid Carolin to adapt it.   Carolin and Channing Tatum are partners in Iron Horse Entertainment.  

The Prophet is a tale of two distant brothers in a small Ohio town whose torment over the murder of their sister in their teens is compounded when another teenaged girl is killed. One of the brothers is determined to avenge that killing, even if it means committing murder himself. “We’ve been fans of Michael’s masterful writing for some time, and know that this powerful new novel is perfect for the screen,” Wechsler said. “We were drawn to its themes of family, faith and fear, all set against the backdrop of a gripping serial killer mystery. This story is a perfect mix of thrills, strong characters, and unbreakable bonds.”

Koryta is currently adapting his novel So Cold The River for New Regency, and Chris Columbus acquired Koryta’s novel Cypress House, with Columbus writing the script and directing. Angela Cheng Caplan of Cheng Caplan Company made the deal for David Hale Smith and Richard Pine of InkWell Management. Lawrence Rose is the lawyer.

Charlie Hardie the All-Star


Duane Swierczynski's character Charlie "Unkillable Chuck" Hardie's first outing FUN & GAMES is nominated for a Barry, Shamus, and now, an Anthony award.  I guess Duane had better go to Cleveland for Bouchercon, after all... J



Subject: 2012 Anthony Award Nominations

 
BEST NOVEL
The End of Everything - Megan Abbott
Hurt Machine - Reed Coleman
The Drop - Michael Connelly
A Trick of the Light - Louise Penny
One Was a Soldier - Julia Spencer-Fleming

BEST FIRST NOVEL
Learning to Swim - Sara J. Henry
Nazareth Child - Darrell James
All Cry Chaos - Leonard Rosen
Who Do, Voodoo? - Rochelle Staab
The Informationist - Taylor Stevens
Purgatory Chasm - Steve Ulfelder
Before I Go to Sleep - S.J. Watson

BEST PAPERBACK ORIGINAL
The Company Man - Robert Bennett
Choke Hold - Christa Faust
Buffalo West Wing - Julie Hyzy
Death of the Mantis - Michael Stanley
Fun & Games - Duane Swierczynski
Vienna Twilight - Frank Tallis

BEST SHORT STORY
"Disarming" - Dana Cameron, EQMM June
"The Case of Death and Honey" - Neil Gaiman, A Study In Sherlock
"Palace by the Lake" - Daryl Wood Gerber, Fish Tales
"Truth and Consequences" - Barb Goffman, Mystery Times Ten
"The Itinerary" - Roberta Isleib, The Rich and The Dead
"Happine$$" - Twist Phelan, The Rich and The Dead

BEST CRITICAL NONFICTION WORK
Books, Crooks and Counselors - Leslie Budewitz
Agatha Christie: Murder in the Making - John Curran
On Conan Doyle - Michael Dirda
Detecting Women - Philippa Gates
The Sookie Stackhouse Companion - Charlaine Harris

Congratulations to all the nominees!

A more detailed nominee listing can be found at:
http://www.bouchercon.info/nominees.html#2012
or
http://www.bouchercon2012.com/awards.php

December 9, 2011

The New York Times Picks Two by Michael Koryta as Best of 2011


In her Notable Crime Books of 2011 column,
MARILYN STASIO takes a look back at some of the best mysteries reviewed this year.   She chose BOTH of Michael Koryta's novels, The Cypress House and The Ridge, as her favorite supernatural mysteries of 2011.  

Bravo, Mr. Koryta.  What do you have up for your sleeve for your next trick?


September 29, 2011

The Haunting of Michael Koryta


Book Talk: Haunting image of lighthouse inspires thriller
Thu, Sep 22 08:43 AM EDT
By Elaine Lies
TOKYO (Reuters) - Michael Koryta was working on a completely different book when he became haunted by the image of a lighthouse built in the woods, despite the fact that he didn't have a story for it.
But the image persisted, eventually leading Koryta through numerous drafts to the book that became "The Ridge," a supernatural thriller that mixes elements of folklore with reality to create a Midwestern ghost story.
The 29-year-old Koryta, who has published eight novels -- the first written when he was 20 -- first thought he wanted to write detective novels and even interned with a private investigator during high school to gain practical experience.
In a telephone interview, Koryta spoke about his determination to be a writer and how he works.
Q: The idea for this came from an image of a lighthouse?
A: "I just had the image, I didn't have much of a story to go with it. 'The Ridge' is really about an eccentric person who's dismissed by others in his area as being crazy, and he builds this lighthouse in the woods. And once he's gone, the question arises, what if there really was a method to the madness? I liked that idea because I think it resonates with every one of us -- we all choose to hear certain people, certain theories on a daily basis, whether it's political or religious or merely ignoring that raving drunk in the corner. You're making that selection constantly. The question that fascinated me was, what if you tuned out the one voice you should hear?"
Q: You say this was an unusual experience. Did that make it harder to write?
A: "Absolutely. It took I think 2,500 pages -- how long's the book, I think 350 pages? I threw out more than 2,000 pages, and that's not standard. I originally thought the newspaper reporter was the protagonist, I thought that through about five drafts, and then Kevin Kimble steps forward on his way to visit the woman who shot him. I was well into the book before I realized that the heart of the book appeared to be with Kevin.
"I'd be lying if I didn't say it was a little exhausting -- three months' work you just hit the delete key on -- but it is fun, too. I'm of the belief that there's a book there that your subconscious gets and the real challenge for the writer is to get your conscious mind out of the way to find the real story. I struggled with that on this one."
Q: Once you have an idea, where do you go from there and what do you emphasize: character, plot or setting?
A: "It's all of the above, particularly with the supernatural stories I've written of late. I'm trying three things: characters who draw an emotional investment from the reader. The second would be an atmosphere that feels real, but also feels a few clicks off, as though there's something wrong in this world. That allows the uncanny elements, when I begin to introduce them, to hopefully feel more organic. The third, which is really crucial for these books, is to add the elements of a procedural mystery, a detective story, so I have the reader invested in a pursuit of the truth."
Q: When you're working on something supernatural, does the world look different afterwards?
A: "I would say that when I'm working on a supernatural book, I do a lot of my thinking on hikes. When I run into plot problems, the first place that I go to fix those is take long hikes in the woods. I'm definitely capable of spooking myself out in the woods, but hopefully in a good, healthy way. The right sound of wind in the trees, the right look of the moon in the clouds, there's fuel for fiction -- no question. But I'm not seeing ghosts capering through my bedroom or anything."
Q: I heard that when you were a teenager, you interned with a private investigator?
A: "It was kind of a fascination with the business. I always knew I wanted to be a writer, and at the time I wanted to write detective novels. All the writers who really influenced me all worked in the world of the detective, and I thought what better way to understand it than to try and get a little taste of the real thing. I had the incredible good fortune of finding a mentor who was both really qualified and also really patient with the learning curve."
Q: Any advice for aspiring writers?
A: "Beyond the obvious -- read, read, read -- I'd just say writing every day is just really critical. You don't need to do 1,500 words a day, you don't even need to do 500 words a day. But I am a big believer in the fact that writers write. It requires a massive amount of self-discipline, particularly before you publish, and no one cares if you hand them pages or not. So you need to find that discipline to deliver pages and produce consistently from a place within yourself. And that can be really hard.
"Usually I write in the afternoons and evenings. I always listen to music and the 1,500 word minimum is the only rigid thing. It's a good way to keep my head in the story, and the closer I am to a story the better chance I stand of knowing when something's coming off the rails. In the last week, one day I got my 1,500 words in an hour and ten minutes, and on another day it took me eight hours. I'll crawl the 1,500 words on my hands and knees if I have to. I've done it many a time."
(Reporting by Elaine Lies, editing by Paul Casciato)